Amazing Grace: The Lives of Children and the Conscience of a Nation

• ISBN13: 9780060976972
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From the makers of Ray, AMAZING GRACE tells the inspiring story of William Wilberforce and his passion and perseverance to pass a law ending the slave trade in the late 18th century. Several friends, including Wilberforce's minister, a reformed slave ship captain who penned the beloved hymn Amazing Grace, urge him to see the cause through.In this inspirational costume drama, Michael Apted (49 Up) recounts a period in British history sure to be unfamiliar to most Americans. In fact, his eye-opening biography of 18th century abolitionist William Wilberforce (Ioan Gruffudd) is likely to come as a revelation to many Britons, as well. After all, despite the presence of his wife, Barbara (Romola Garai! ), this isn't a particularly "sexy" story, but it is a powerful one. The title comes from John Newton's hymn "Amazing Grace" ("I once was lost but now am found"). Newton (Albert Finney) was a former slaveholder, who became a clergyman and spent his days repenting. While America had John Brown, England had Wilberforce, and Newton is one of many who helped the MP to abolish slavery in the UK. The story begins towards the end of Wilberforce's mission when he's sick with colitis and addicted to laudanum. Apted continues to alternate between 1797 and 1789, when Wilberforce was fitter and more idealistic, and ends in 1807 as his efforts come to fruition. Apted and writer Steven Knight (Dirty Pretty Things) do right by their hero. Unlike Amistad, however, slaves are largely off-screen, with the exception of author Equiano (Senegalese vocalist Youssou N'Dour). Amazing Grace reserves its focus for the politicians who risked their reps for the greater good! , like Wilberforce and Prime Minister Pitt (an excellent Bened! ict Cumb erbatch), and those more concerned with the income slavery provided their constituents, like Lord Tarleton (Ciarán Hinds) and the Duke of Clarence (Toby Jones). --Kathleen C. FennessyThe children in this book defy the stereotypes of urban youth too frequently presented by the media. Tender, generous and often religiously devout, they speak with eloquence and honesty about the poverty and racial isolation that have wounded but not hardened them.

The book does not romanticize or soften the effects of violence and sickness. One fourth of the child-bearing women in the neighborhoods where these children live test positive for HIV. Pediatric AIDs, life-consuming fires and gang rivalries take a high toll. Several children die during the year in which this narrative takes place.

A gently written work, Amazing Grace asks questions that are at once political and theological. What is the value of a child's life? What exactly do we plan to do with those whom we a! ppear to have defined as economically and humanly superfluous? How cold -- how cruel, how tough -- do we dare be?

Fried Green Tomatoes (Extended Collector's Edition)

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HOW TO MAKE AN AMERICAN QUILT - DVD MovieBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, t! his film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her imp! ending m arriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall Fine"Remarkable...An affirmation of the strength and power of individual lives, and the way they cannot help fitting together."
THE NEW YORK TIMES BOOK REVIEW
An extraordinay and moving reading experience, HOW TO MAKE AN AMERICAN QUILT is an exploration of women of yesterday and today, who join together in a uniquely female experience. As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves.
A MAJOR MOTION PICTURE COMING OUT FALL 1995-- with Maya Angelou, Winona Ryder, and Rip TornAcademy Award winners Kathy Bates and Jessica Tandy star with Mary Stuart Masterson and Mary-Louise Parker in this comic, heartwarming tale of family, friendship and murder in rural Georgia. In a Southern nursing home, a feisty resident and old local fixture named Ninny Threadgoode (Tandy) befriends Evelyn Couch (Kathy Bates) a depressed housewife and stirs her to action with an inspirational tale. She tells the story of a transcendent friendship between two young women living in Georgia in the 1930s, Idgie Threadgoode (Mary Stuart Masterson) and Ruth (Mary Louise Parker), who forge a powerful bond after witnessing a terrible tragedy together. The two women open a cafe (where fried green tomatoes are a house specialty) together in their small Southern town of Whistle Stop and manage to survive the hardships of life, despite racism, prejudice and the pressures of trying to live their lives as individuals in a strict and clos! e-minded Southern society. Their friendship lasts through many! ups and downs over the years, helping one of the women through an abusive marriage, and buoying both of them through the gossip and jealousy of those small-minded people who try to control their lives. Based on Fannie Flagg's best-selling novel FRIED GREEN TOMATOES AT THE WHISTLE STOP CAFE.Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity g! irls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom KeoghKathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity! girls in a parking lot, but dignity is generally the key to A! vnet's a pproach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh

Beautiful By Estee Lauder For Women. Eau De Parfum Spray 2.5 Ounces

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Duane Hopwood

• (Drama) David Schwimmer stars as Duane, a down-on-his-luck divorced father who works the night shift as a pit boss at Caesars Palace in Atlantic City. Heartsick about the demise of his marriage to Linda (Janeane Garofalo), he does nothing but work and drink. When his visitation rights are threatened after he's caught driving while intoxicated with his daughter in the backseat, Duane decides that t

DUANE HOPWOOD - DVD Movie

The Window Facing Winter

• ISBN13: 9781930974371
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A young working-class wife and mother unlocks a freedom within her heart that she never expected. Don't miss this critically-acclaimed, award-winning romance.The beautiful and wonderfully named Giovanna Mezzogiorno joins the list of soulful Italian actresses with Facing Windows, a pleasant cinematic fancy. Her character is a married Mom in an ordinary apartment, whose life is affected by two things: her fascination with the handsome man who lives across the courtyard, and the sudden arrival in her home of an elderly amnesiac (played by the late Massimo Girotti)--a well-dressed man found walking on the street, dazed and lost. Turkish-born director Ferzan Ozpetek (Steam: The Turkish Bath)! makes this simultaneously a slice of life and a vaguely fantastical situation. It probably all works out a little too neatly, but the unhurried pace and deep sympathy Ozpetek displays toward his main characters is refreshing. And when in doubt, he points the camera at the face of La Mezzogiorno, which solves all problems. --Robert HortonImport exclusive soundtrack to multi-national romantic drama, originally issued in 2003 & just released on DVD in the U.S., features the score by Gianfilippo Corticelli & one track, 'Gocce Di Memoria', performed by Giorgia. 17 tracks.Poetry. "In THE WINDOW FACING WINTER, the urgency of the beautiful andsometimes murderous urban landscape, set alongside the seductive, intricateoasis of the Japanese garden, renders possible a vision into 'sliver ofthe absolute.' With unflinching accuracy, LaFemina delivers a sacred, ifmomentary, world, laying bare its essential loneliness, its obstinatebeauty" --Robin Behn.

Air Force One

• TESTED

DVDYou know that old dramatic principle of suspension of disbelief? You'll have to rely on it for this box-office smash, but you won't be disappointed. Harrison Ford plays a U.S. president who single-handedly employs his rigid antiterrorism policy when a band of Russian thugs hatch a mid-flight takeover of Air Force One. Gary Oldman, who chews the scenery as the lead terrorist, will shoot a hostage at the slightest provocation. Glenn Close plays the sternly pragmatic vice president who negotiates with Oldman from her Washington seat of power. If you can believe that the aircraft's pressurized cabin can sustain hundreds of rounds of machine-gun fire, you'll buy anything in this entertaining potboiler, especially thanks to Ford's stalwart heroics and some nifty special effects. Director Wolfgang Petersen (Das Boot) keeps the action moving so fast you won't be sweating the details.! Don't forget your parachute! --Jeff Shannon

Head Over Heels (Marine, Book 1)

• ISBN13: 9780380819171
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Breaking rules and breaking hearts

Free-spirited Chloe lives life on the edge. Unlike her soon-to-be married sisters, she isn't ready to settle into a quiet life running their family's newly renovated inn. But soon her love of trouble--and trouble with love-draws the attention of the very stern, very sexy sheriff who'd like nothing better than to tame her wild ways.

Suddenly Chloe can't take a misstep without the sheriff hot on her heels. His rugged swagger and his enigmatic smile are enough to make a girl beg to be handcuffed. For the first time, instead of avoiding the law, Chloe dreams of surrender. Can this rebel find a way to keep the peace with the straitlaced sheriff? Or wi! ll Chloe's colorful past keep her from a love that lasts . . . and the safe haven she truly wants in a town called Lucky Harbor?

Veronica Davis shook the dust of her hometown off her feet years ago, vowing never to return but family matters have brought her home, and a most unexpected love awaits. From award-winning writer Susan Andersen.

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Nicole Beharie (The Express), Will Patton (Entrapment, The Postman), Charles Dutton (TV's Roc, Mimic) and Alfre Woodard (TV's Desperate Housewives, Primal Fear) star in this gripping true-life story. Falsely accused of distributing narcotics in a school zone, Dee Roberts (Beharie) is offered a deal she can't refuse: plead guilty and accept a 10-year suspended sentence. The alternative: risk serving 16-to-25 in jail. Realizing a conviction would ruin her life, Dee decides to fight back. Suing the DA for racial discrimination, Dee battles impossible odds in a case that will not only change her life but the laws of Texas as well.American! Violet may be based on the story of outrageous injustices committed against Regina Kelly of Hearne, Texas, but that does not make it a good film. It is, at best, a bad film with an important message. American Violet is about a single mother of four, Dee Roberts (Nicole Beharie), who is wrongly convicted of drug charges due to police racism and corruption. As she struggles to stay out of prison with the help of her mother, Alma (Alfre Woodard), Dee exemplifies a stalwart woman who refuses to plead guilty when offered a plea bargain. While names of characters and the town itself are changed, the story in American Violet is allegedly altered only slightly in hopes of maintaining its tragic truth, that a plea-bargain system in Texas forced, in this case, impoverished and sometimes innocent African Americans to accept guilty charges and their negative aftereffects. American Violet's melodramatic sensibility attempts to spark the same indignation that fu! els ACLU lawyer David Cohen (Tim Blake Nelson) to embark on a ! lawsuit against the head racist, district attorney Calvin Beckett (Michael O'Keefe). Cohen, with the help of a former narcotics officer, Sam Conroy (Will Patton), discovers enough evidence to disturb any viewer. While it is crucial to have artful dialogue about this politically offensive topic, American Violet is not finely scripted or cinematically engaging enough to elevate it above second-hand documentary. Still, since the film does cover meaningful territory, there may be a place for it in classrooms, or it may inspire others to work on further exposing gross injustice for the benefit of our society. --Trinie DaltonNicole Beharie (The Express), Will Patton (Entrapment, The Postman), Charles Dutton (TV's Roc, Mimic) and Alfre Woodard (TV's Desperate Housewives, Primal Fear) star in this gripping true-life story. Falsely accused of distributing narcotics in a school zone, Dee Roberts (Beharie) is! offered a deal she can't refuse: plead guilty and accept a 10-year suspended sentence. The alternative: risk serving 16-to-25 in jail. Realizing a conviction would ruin her life, Dee decides to fight back. Suing the DA for racial discrimination, Dee battles impossible odds in a case that will not only change her life but the laws of Texas as well.American Violet may be based on the story of outrageous injustices committed against Regina Kelly of Hearne, Texas, but that does not make it a good film. It is, at best, a bad film with an important message. American Violet is about a single mother of four, Dee Roberts (Nicole Beharie), who is wrongly convicted of drug charges due to police racism and corruption. As she struggles to stay out of prison with the help of her mother, Alma (Alfre Woodard), Dee exemplifies a stalwart woman who refuses to plead guilty when offered a plea bargain. While names of characters and the town itself are changed, the story in Am! erican Violet is allegedly altered only slightly in hopes ! of maint aining its tragic truth, that a plea-bargain system in Texas forced, in this case, impoverished and sometimes innocent African Americans to accept guilty charges and their negative aftereffects. American Violet's melodramatic sensibility attempts to spark the same indignation that fuels ACLU lawyer David Cohen (Tim Blake Nelson) to embark on a lawsuit against the head racist, district attorney Calvin Beckett (Michael O'Keefe). Cohen, with the help of a former narcotics officer, Sam Conroy (Will Patton), discovers enough evidence to disturb any viewer. While it is crucial to have artful dialogue about this politically offensive topic, American Violet is not finely scripted or cinematically engaging enough to elevate it above second-hand documentary. Still, since the film does cover meaningful territory, there may be a place for it in classrooms, or it may inspire others to work on further exposing gross injustice for the benefit of our society. --Trinie Dalto! nViolet Brown is about to get a crash course in the penalties of the drug trade. Busted attempting to cross state lines with five kilos of Columbia’s finest, she finds herself facing a twenty-four year prison sentence, pregnant and alone. Find out what happens to Violet when the bars close on one of the most vicious correctional facilities in the state, and Begonia and her girls rip the city up to set things right.



Julia Press Simmons is a talented writer who captures the heart and soul of her character's emotions, making readers become attached to the characters within her novels. Each novel in the Strawberry Mansion series just gets better and better.
~Leona Romich~
Violet Brown is about to get a crash course in the penalties of the drug trade. Busted attempting to cross state lines with five kilos of Columbia’s finest, she finds herself facing a twenty-four year prison sentence, pregnant and alone. Find out what happens to Violet ! when the bars close on one of the most vicious correctional fa! cilities in the state, and Begonia and her girls rip the city up to set things right.



Julia Press Simmons is a talented writer who captures the heart and soul of her character's emotions, making readers become attached to the characters within her novels. Each novel in the Strawberry Mansion series just gets better and better.
~Leona Romich~
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