Three generations of comedy legends star in this tale of nightclub owner Sugar Ray (Richard Pryor) and his son Quick (Eddie Murphy), who fight to keep a vicious mobster and a corrupt police force from putting them out of business. Written by Eddie Murphy with an all star supporting cast including Redd Foxx, Della Reese, Arsenio Hall, Jasmine Guy, and Danny Aiello, Harlem Nights is an action packed comedy treasure!This is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub ! owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here.
--Marshall Fine Genre: Feature Film-Drama
Rating: R
Release Date: 1-JUL-2008
Media Type: DVDHARLEM NIGHTS - DVD MovieThis is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, w! ith three comics as funny as Murphy, Pryor, and Foxx, there ar! e so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here.
--Marshall Fine This is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here.
--Marshall Fine This is a supremely disappointing film, ! especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here.
--Marshall Fine Coming to America casts comedian Eddie Murphy as pampered African prince Akeem, who rebels against an arranged marriage and heads to America to find a new bride. Murphy's regal father (James Earl Jones) agrees to allow the prince 40 day! s to roam the U.S., sending the prince's faithful retainer Sem! mi (Arse nio Hall) along to make sure nothing untoward happens. To avoid fortune hunters, Prince Akeem conceals his true identity and gets a "Joe job" at a fast-food restaurant. Murphy and Hall play multiple roles, and there are innumerable celebrity cameos peppered throughout the proceedings â€" including the Duke Brothers (Don Ameche and Ralph Bellamy) from
Trading Places.
Coming to America made further headlines when humorist Art Buchwald sued the film's producers for plagiarizing one of his works. Buchwald carried the case to trial, where he won a sizeable judgement against the film's producers.Half of the characters in this 1988 John Landis potboiler seem to be played either by Eddie Murphy or costar Arsenio Hall, swaddled in elaborate Rick Baker makeup appliances that render them unrecognizable but also weirdly immobile. As a pampered African prince who journeys incognito to Queens, New York, to find a bride who will love him just for himself, Murphy manages t! o look smug and naive at the same time. There are enjoyable sequences of Murphy's Prince Akeem applying his lordly manner to his new job in a fast-food emporium, and falling for the boss's spirited daughter (Shari Headley), who teaches him how to party down, American style. But the fish-out-water premise is never fully exploited. Star spotters will have a field day locating Cuba Gooding Jr., Donna Summer, Louie Anderson, Vondie Curtis Hall,
E.R.'s Eriq La Salle, and Samuel L. Jackson in their minuscule supporting roles.
--David Chute Sultry Robin Givens (HEAD OF STATE) heats up the screen with Forest Whitaker (PHONE BOOTH), Gregory Hines (ONCE IN THE LIFE), and Danny Glover (THE ROYAL TENENBAUMS) in this cool, sexy thriller about a gangster's girlfriend and the trouble she stirs for the fellas in her life! When Imabelle (Givens) hits Harlem with a trunkload of stolen gold, she's on the run and looking for a place to hide. So when shy and naive Jackson (Whitake! r) appears, Imabelle thinks she's met the perfect patsy ... bu! t she fo rgets to protect her heart! As the chase again takes off and the intrigue mounts, you'll find that unexpected twists are all the rage in this stylish thriller!FAST TALKING RAYFORD GIBSON AND THE CONSERVATIVE CLAUDE BANKS ARE ACCIDENTALLY TEAMED UP TO BECOME THE FUNNIEST ODD COUPLE EAST OF THE MISSISSIPPI. WHEN THEY TRAVEL SOUTH ON A BOOTLEGGING RUN FOR SOME QUICK CASH AND GET PLACED AT THE SCENE OF A CRIME, THEIR COMICAL MISFORTUNES LAND THEM RIGHT IN FRONT OF THE JUDGE.Martin Lawrence and Eddie Murphy play it surprisingly straight in this film by director Ted Demme. Though there are laughs to be had, this is a story about perseverance in the face of a life of disappointment (yet the film was sold as a prison comedy). But
Stir Crazy this isn't. Rather, Lawrence and Murphy play a couple of New Yorkers making a moonshine run from New York to Mississippi during the Prohibition who find themselves framed for murder and sentenced for life to a prison chain gang. As they ag! e, the two become close friends, although the strait-laced Lawrence always resents the free-wheeling Murphy for getting him into the situation in the first place. Ultimately, these two men learn to find meaning where they can, taking value from friendship and their limited ability to affect the lives of others. At times preachy, it ends on an upbeat note; the film's biggest laughs are reserved for the final section, in which Lawrence and Murphy don age makeup and play octogenarians.
--Marshall Fine
